Collection: Shin hanga
Shin hanga (新版画) refers to a style of Japanese woodblock prints that emerged in the early 20th century, often considered a revival of the traditional ukiyo-e (woodblock print) art form. Shin hanga prints were characterized by several distinctive features:
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Traditional Techniques: Shin hanga artists, such as Hasui Kawase and Hiroshi Yoshida, employed traditional woodblock printmaking techniques, using handmade paper, water-based inks, and meticulous craftsmanship. This was a deliberate departure from the mass-produced, commercial ukiyo-e of the late 19th century.
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Emphasis on Naturalism: Shin hanga artists focused on depicting scenes of everyday life, landscapes, and nature. Unlike earlier ukiyo-e, they often captured realistic and picturesque representations of Japan's natural beauty, including landscapes, mountains, rivers, and gardens.
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Detailed and Complex Design: Shin hanga prints were known for their intricate details and vivid colors. The artists paid great attention to shading, perspective, and the use of light to create a sense of depth and atmosphere in their works.
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Collaboration: Shin hanga was often a collaborative effort involving a team of skilled craftsmen, including artists, woodblock carvers, and printers. This approach allowed for greater precision and quality in the final prints.
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Limited Editions: Shin hanga prints were typically produced in limited editions, which added to their exclusivity and collectibility. These prints were often signed and numbered by the artist.
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Influence of Western Art: While rooted in traditional Japanese art, shin hanga artists were also influenced by Western art movements like Impressionism and Post-Impressionism, which can be seen in their use of color and composition.
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Thematic Diversity: Shin hanga encompassed a wide range of themes, including landscapes, cityscapes, kabuki theater, beautiful women, and historical subjects. These prints reflected the changing interests and tastes of Japanese society during the early 20th century.
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Preservation of Craftsmanship: Shin hanga was part of a broader movement to preserve and revitalize traditional Japanese woodblock printmaking in the face of modernization and the introduction of new technologies.
Overall, shin hanga prints are celebrated for their blend of traditional craftsmanship and innovative artistic expression. They represent a unique chapter in the history of Japanese printmaking, where the beauty of the natural world and everyday life was captured with a modern sensibility.
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Meido no hikyaku no Umekawa 梅川 (The heroine Umekawa in Meido no hikyaku - 1922 / 北野恒富 Kitano Tsunetomi (1880〜1947)
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The Chinese Princess Kinshojo 錦祥女 / Nishiyama Suishō 西山翠嶂 (1879-1958)
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The Fifty-Three Stations of the Tōkaidō (東海道五十三次, Tōkaidō Gojūsan-tsugi) Hōeidō edition, 1983 / Utagawa Hiroshige 歌川 広重 (1797 – 1858)
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Ota Jinja 岡太神社 (Ota Shrine) - 1960-70 / Tōshi Yoshida 吉田遠志 (1911–1995)
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Basho no tsuji no nishiki 芭蕉の辻錦絵 (Basho no tsugi crossroads) - 1961 / Kumagami Kōnen 熊耳耕年 (1869-1938)
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秀作木版画コレクション 古都逍遥 Shūsaku mokuhanga korekushon kotoshōyō - Woodblock masterpieces - Wandering through the Ancient Capital
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ふぐちょうちん (提灯) Fugu chochin - Fugu fish lantern 1978 - Hiroto Norikane (乗兼広人) (1949-)
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'Nichiren Shōnin go ichidai mokuhanga gafu' 日蓮聖人御一代木版画譜 (Woodblock Print Album of Nichiren's Life)-46 woodblock prints Horiuchi Tenrei 堀内天嶺 (1903-1982)
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Shima Seien 島成園 (1892-1970) - Yūgiri 夕霧 (Ghost of a Courtesan) - 1922
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Fukuda Suiko 福田翠光 (1895-1973) - Yaetsubaki 八重椿 - Red Camellia - 1936
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Fukuda Suiko 福田翠光 (1895-1973) - Gubijinsō 虞美人草 (poppies) - 1936
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